Supernatural Season 13 Season Premiere Recap and Review: Two Men and a Nephilim

Let's Laugh, Cry, and Cuss about Supernatural Together

Episode Name: Lost and Found

Air Date: 10/12/2017

*SPOILERS* DO NOT READ IF YOU DON'T WANT *SPOILERS* SERIOUSLY I MEAN IT *SPOILERS*

"That bitch said I'm a Becky, Sam. That's not ok."

Hi my name is Rebekah and I’m a Supernatural addict. If you are reading this, you have probably watched 12 years’ worth of Supernatural, so we’re in the same boat. Welcome, fellow sucker for punishment! Feel free to let it all hang out.

Last night I eagerly watched the Season 13 premiere of Supernatural. I don’t start every season of Supernatural eagerly. But I enjoyed the hell out of the Season 12 finale and the set up for Season 13 was right down my alley. Creepy as hell, a parallel dimension, and the promise of seeing some old favorites. Also, the acting in the show has reached Oscar caliber. No exaggeration. Jared and Jensen inhabit these characters and make you feel like they are old friends. The delivery of their lines feels real, raw, and impactful. That’s a tall order considering it is a fantasy show and you can get burn out from the constant trauma. But the writers can put in the most absurd plot line and those boys sell the shit out of it.  These guys know what they’re doing. They’re just doing it on a cult favorite CW show so they probably don’t get the recognition they deserve.

So just for set up purposes, Season 12 finale ended with the boys losing everything and everyone they love. Again. It wasn’t as traumatizing as it could have been because as y’all know, the boys lose everything all the time. And characters have the tendency to come back. Also, there were some character deaths I was ready for. (Sorry. I love Mark Sheppard but the writers didn’t know what to do with Crowley anymore, it was painful.) Additionally, the few scenes in the parallel dimension were a joy. We got to see Bobby, which, it’s always a good day when you get to see Bobby. And he mentioned Rufus. Almost nothing makes me happier than Bobby and Rufus. (Safe House, written by superbae Robbie Thompson is one of my favorite episodes they’ve ever done.) So Season 13 was set up to be very cool, which after 12 years is impressive.

Season 13 Episode one opened up exactly where we left off, with Sam standing in the cabin gaping at the ENTIRE GROWN ASS ADULT Nephilim that was born FIVE MINUTES AGO crouching in the corner naked as a jaybird (are jaybirds more naked than other birds?) with glowing eyes being CREEPY AS FUCK. Like, genuine chills down your spine creepy. Sam tends to use his words so he tried to communicate with the Nephilim. Dean walks in and instantly whips out his gun to shoot the guy. Dean had just left Castiel’s dead body so he was not in the mood. Sam knocks his arm out of the way. Which was probably for the best, because Dean, what’s a regular ass bullet going to do to a Nephilim? Well, that pisses ol’ dude off and he yells and the blast of his power picks up both of the boys off the ground and throws them into the wall. So, he is hella powerful. Then he gets away.

"Who's my daddy? No, really. Who's my daddy?"

The boys give chase. For stunningly gorgeous Greek god looking model types, they look like shit. Bruised, dirty, depleted, bags under their eyes. Dean was reacting to the crushing loss of Cas by being enraged (appropriate reaction) and that was manifesting partly by him uberpissy and barking at Sam. Even his most pissy retorts crackled with grief. Sam obviously knew he was grieving and didn’t give him any pushback. There is this unspoken understanding that Cas’s death is more Dean’s loss than Sam’s loss. Part of that is because most of the writers are Deanboys, and partly because Dean and Cas have a more profound bond. They’re boyfriends. Or they would be if the showrunners had the sense God gave a fruit fly. But I digress.

The Nephilim ends up in a police station. He’s confused and bewildered. He’s trying to figure out who he is, and what feelings are. He tries nougat for the first time. It’s intense. He’s in turn adorable, off-putting, and terrifying. The actor is fantastic.  It’s hard to make these kinds of characters work.  It’s easy to lean a little too hard on the crazy or on the bewilderment.  But he was perfection. I truly hope they keep him around. He infuses the old SPN dynamic with new life.

Any who, the most significant thing is that when he hears voices in his head (angel radio), it hurts, and he reacts by throwing folks around. But he doesn’t know how it happens. He doesn’t have control over his powers just yet. Which makes sense, because he’s like three seconds old. The boys catch up to him. Sam spends some time with the Nephilim (the audience knows his name is Jack at this point) and realizes that he is an innocent. Also, Jack reveals that Castiel is his father, which was a brilliant little twist that hurts sooooo badly because you know that beautiful Castiel is dead. Poor kid, Dad killed while he was making his way into the world. But wait, wasn’t Lucifer the father? Apparently, Jack’s mom found the concept of fatherhood pretty flexible. She said since Castiel would be the one to protect him, that he would be his father. And since Jack was conscious in the womb, he was always hearing Cas take care of him, so he cosigned that (extremely solid) choice.

"I just really want some more nougat."

Then the dicks show up. Ok that sounds weird. But any SPN fan knows what I’m talking about. According to Dean, angels are dicks. And the group that shows up lives up to that less than stellar reputation. They are there to kidnap Jack and to use him for nefarious power-hungry purposes. There are some really cool, creative fight scenes. Only in Supernatural do you laugh during a fight scene. They are often sly and inventive. Ultimately, Sam and Dean prevail. The angels are either sent to heaven or ganked. But before the last one is stabbed, she stabs Jack right in the heart. It doesn’t take. He pulls it right out. Yes Jack is innocent, but also menacing and scary, mostly because we don’t know what his powers are yet. He doesn’t know what his powers are either. But we do know that he can be stabbed in the heart and not even ask for a band aid. He’s like. Hm. (kanyeshrug)

The boys head back to the bunker and take Jack with them. Which I thought made sense. Jack is a loose cannon and you don’t really want him bouncing around out there. Sam mostly wants to look after him. Dean mostly wants to kill him. They only thing stopping Dean is that he has no idea how to do it. Dean still doesn’t see these decisions on whether to kill folks as a democratic decision between him and Sammy. If he wants to gank somebody it doesn’t really matter what Sam wants.  And of course, you can see both of their viewpoints. Dean is sick as shit of these supernatural creatures killing his boyfriend and his family.  But to be fair to Sam’s point of view, rational thought generally makes for better strategies. Also, there is no real reason to believe that Jack will be evil. Lucifer is not a demon. He’s an angel. His villainy was purely a conscious choice, not his genetics. Also, Dean saying his job is to kill the supernatural is a bit disingenuous. Because in reality, the boys have a long storied history of partnering with supernatural creatures (You know, like Castiel? Or Crowley? Or Dean’s ex Benny? I could really go on). But Dean is completely over it. Which. You can’t blame him there considering what they just went through. So that’s where we are.

Then we get the thoroughly heart wrenching scene where Dean prays to God to bring Cas back. Here is what he says:

Okay, Chuck… or God, or whatever. I need your help. See, you– you left us. You left us. You went off. You said… You said the earth would be fine because it had me… and Sam, but it’s not, and we’re not. We’ve lost everything... and now you’re gonna bring him back. Okay? You’re gonna bring back Cas, you’re gonna bring back Mom, you’re gonna bring ‘em all back. All of ‘em. Even Crowley. ’Cause after everything that you’ve done, you owe us, you son of a bitch. So you get your ass down here and you make this right, right here and right now.

--Dean Winchester

Ugh. Now that is writing. Interesting to note that Dean explicitly refers to Cas as his everything. And if your heart can survive that, you should probably check whether you have a pulse at all. Maybe you are a vampire. Then Dean asks for his mom back, and even Crowley! He wants to turn the fucking clock back. Like. Takesies backsies the whole thing. As I mentioned, Jensen is just a masterful actor.  He’s always been good at grief. (As well as comedy. As well as singing. As well as being the most beautiful boy in the world. *shakes fist at sky*) After all, he inspired the ‘single man tear’ meme and subsequent song. But Jesus Christ he just gets better and better. He barely needs to use body language or gestures anymore. It’s all in his eyes. How does he do that?? He can barely flinch yet rip your heart out by the roots. (do hearts have roots?) Then he wraps Castiel’s body for a proper burial and if you thought his prayer was devastating, watching him wrap Cas’s body is a punch to solar plexus. Jensen is JUST SO GOOD AT THIS. And Castiel’s face IS SO GORGEOUS. Just. Come ON with that face, Misha Collins, you have GOT to be kidding me.

Then during the body burning scene, Sam asks Jack if he wants to say anything. Jack of course doesn’t know which way is up yet. So he asks what Sam what is normally said in these situations. And Sam’s answer had me in tears.

You say thank you. You say you're sorry. You hope they're somewhere without sadness, or pain. You hope they're somewhere better. You say goodbye. --Sam Winchester.

The simplicity of the writing is perfect. Jared Padalecki's delivery was phenomenal. Jared Padalecki why are you trying to kill all of my feelings? I swear to Chuck, man. When the writing and the acting is on point, no one has a prayer of getting out without crying like a goddamn baby.

Then the last scene is a short one where you see that Lucifer spared Mama Winchester’s life in the separate dimension. Why? I guess we’ll find out. He says he needs her. Which he clearly doesn’t, unless he’s up to something. What is that something?

So this episode. I was all about it. Clever. Well written. Great fight scene. Genuine emotions. The guest stars had distinct personalities and you cared about them right away. The cop mom and her teenage son were everything. The head of the angel gang had some hilarious, very SPN-ish one liners. And the prospect of seeing some friendly faces in the parallel dimension has me excited. Andrew Dabb mentioned Missouri Moseley at the SDCC panel this year and I am all about it. Let’s face it, Loretta Devine is a goddamn gift and I’ve been wanting to see her again since the last time we saw her in season one.  Of course Supernatural often handles female characters, particularly WOC characters, atrociously, so consider me down on my knees praying they get it right for her. Maybe they will actually HIRE some women of color writers (imagine that) and we can do this thing. (God, are you listening? Wait. I’m atheist. Whatever. You know what I mean.)

"Somebody get that kid some more nougat before he kills us all."

Now, as the supernerd and fangirl that I am, I always check who writes the episodes regardless whether I like them or hate them. This one was written by Andrew Dabb, which makes a lot of sense. Andrew Dabb is particularly adept at taking the stories, which are in a heightened world of fantasy and melodrama, and making them emotionally impactful in a way that you identify with. He’s like a heat seeking missile of finding the most searing and relatable human emotions and journeys the boys are experiencing, despite whatever plot is happening. He also hits that very particular soft point of Supernatural fans--people who deeply connect with the family dynamic and the experience of surviving trauma and chaos together. Also, he is great at creating compelling supporting characters. My only quibble is that he is a Dean boy, which isn’t a sin or anything. But one day I’ll find an SPN writer who centers the emotional journey on Sam and lets him drive it.  Not that I don’t love Dean. Of course I do. How could anyone not love Dean? What are you a monster? (Careful, he’ll stab you in the neck.) I just feel that Sammy consistently gets the short end of the stick and functions as the support for Dean's journey. But that’s how I’ve felt for almost the entire run of the show and it’s unlikely to change anytime soon.

When all is said and done, though, here is the final thought I’ll leave you with for ‘Lost and Found’. It is Season 13 of Supernatural and I still care about the Winchester boys. That’s kind of extraordinary.

Disclaimer: This article reflects my personal opinions, not the opinions of my fellow Geeky Girls, who are also Supernatural super-fans and (who knows!) may want to banish me to purgatory for my views.

Photo credits: All photos are promotional photos from the CW

CORRECTION: My previous version identified the writer of the episode as 'Adam Glass' as opposed to 'Andrew Dabb'. I have literally no excuse except for the fact that my brain is terrible and I didn't do a terribly careful edit because I didn't think anyone would especially read my article ahaha. Andrew Dabb is the showrunner, and has written the all time classic favorite episodes like Yellow Fever, Afterschool Special, Weekend at Bobby's, and Dark Side of the Moon. Darkside of the Moon in particular is notable for a few things: 1) Being PAINFULLY accurate about siblings and about how, despite growing up shoulder to shoulder in the same home, experience things suprisingly differently 2) The way that those siblings deal with the trauma of childhood can be so different it causes the other pain and pushes them apart 3) Being so heart rending that my sister Michele can't watch it unless she is feeling very strong and 4) Giving Wincest shippers the joy of their lives when Ash says that only soulmates can share a heaven, and there Sam and Dean are, sharing a heaven.  There you have it. My excessively verbose correction.